Category: Learning the fiddle

Tips for learning to play the fiddle

  • Three Hares Folk Camp: Escape into the Heart of Folk Music

    We invite you to join us at Three Hares Folk Camp, a long weekend residential folk music course where you can immerse yourself in the joy of folk music, level up your playing, and connect with fellow musicians.

    Learn from expert tutors in small workshops during the day; then head to the oak-frame barn, or under the branches of the spreading oak to play with your fellow musicians and your tutors in sessions in the evenings!

    Three Hares Farm - location for the residential folk music course

    Set on a picturesque organic working farm in North Somerset, our residential folk music course offers expert tuition, lots of opportunities for group playing, and a chance to immerse yourself in the music — all in an idyllic rural environment.

    Whether you’re an experienced musician or someone with a basic understanding of folk music, this is the perfect opportunity to deepen your knowledge, learn and refine your musical skills, and make lasting friends and memories.

    An Inspirational Folk Music Experience

    Three Hares Folk Camp is not just another folk music workshop.

    It’s about experiencing and learning folk music the way it was meant to be—hands-on, communal, and full of heart — all in the Somerset countryside.

    Over the course of three days, you’ll be guided by some of the most talented folk musicians in the UK. With a focus on both individual instrument development and group playing, this camp is ideal for those who want to improve their technique, while building experience in playing folk music with others in a friendly, supportive environment.

    Instruments & Tutors

    Our talented team of tutors is ready to lead you through a diverse range of workshops, covering a range of folk instruments. Whether you’re drawn to the tunes of Ireland, Northumberland or Cape Breton, or to songs and accompaniment, there’s something for everyone. We offer workshops on the following instruments:

    Fiddle with Bradon Smith

    Bradon Smith, fiddle tutor on the Three Hares residential folk music course

    Irish Flute, Whistle, & Uilleann Pipes with Dominic Henderson

    Dominic Henderson, pipes and flute tutor on the Three Hares residential folk music course

    Squeeze Box & Vocals with Hazel Askew

    Hazel Askew, squeeze box and vocal tutor on the Three Hares residential folk music course

    Guitar & Mandolin with Kit Hawes

    Kit Hawes, guitar and mandolin tutor

    Each tutor is a professional musician with years of teaching experience, ensuring that you’ll receive top-notch guidance. Find out more about each of the tutors here.

    Our residential folk music course is designed for beginners to advanced players, although some experience with your instrument will be necessary. (You should at minimum be able to play, for example, simple scales in common keys and basic tunes. If you are unsure if this folk music camp is a fit for your current level, please get in touch.)

    When & Where?

    • Dates: 25th–27th July 2025
    • Location: Three Hares Farm, Dundry Lane, BS40 8AW, North Somerset, UK
    • Arrival: Thursday, 24th July from 5pm for set-up and evening meal.
    • Workshops Begin: Friday morning, with a full programme of music workshops.

    This weekend retreat offers a blend of structured music workshops and informal sessions, creating the perfect atmosphere for both learning and socialising.

    Residential Accommodation Options

    Your ticket includes camping at the farm – pitch your tent under the stars a stone’s throw from the workshop and session spaces!

    If camping isn’t for you, there are two local accommodations within walking distance of the farm, where you can stay in comfort. Whether you choose to camp or stay elsewhere, you’re guaranteed to enjoy the rural surroundings of Three Hares Farm.

    Meals & Catering

    At Three Hares Folk Camp, we believe that good food is an essential part of a great experience. We’ve partnered with Two Trees Catering to provide two delicious and nutritious meals each day, focusing on locally-sourced ingredients, much of which is grown right here at Three Hares Farm. Please note, attendees are responsible for their own breakfasts, but rest assured, everything else is taken care of!

    Transport & Parking

    If you’re driving, there is very limited parking spaces on-site; what parking there is available at an additional cost.

    Alternatively, we will provide a shuttle bus service to and from Bristol on Thursday, 24th July, and Sunday, 27th July. This makes it easy to reach the camp without the hassle of driving.

    For maximum respect from everyone, arrive by bike to the camp and enjoy a free drink at the bar as a reward!

    Evening Sessions & Socialising

    After a day of folk music workshops, the fun continues in the evenings with informal music sessions in the bar, where you can play along with your fellow musicians and your tutors, practice your new-found tunes, techniques and skills; and relax and chat with like-minded campers.

    On Saturday night, we’ll be hosting a lively and inclusive ceilidh; with music provided by your tutors, and a caller to teach and lead the dances. It’s the perfect way to round off your weekend!

    Why Choose Three Hares Folk Camp?

    • Residential Folk Music Course: Enjoy full immersion in folk music while staying on a beautiful farm.
    • Experienced Tutors: Learn from skilled and experienced professional tutors
    • Variety of Instruments: Workshops for fiddle, flute, whistle, uilleann pipes, guitar, mandolin, vocals, and squeeze box
    • Community Atmosphere: Join a welcoming group of like-minded musicians
    • Lively Sessions & Ceilidh: Fun evening activities, including informal sessions and a ceilidh
    • Delicious, Nutritious Food: Enjoy meals made with fresh, local ingredients.

    Book Your Spot Today

    Spaces at Three Hares Folk Camp are limited, so please book early to avoid missing out on this opportunity.

    Whether you’re looking to improve your playing, learn about group playing, make new musical friends, or simply immerse yourself in the music in beautiful surroundings, Three Hares Folk Camp 2025 will be an unforgettable few days.

    Contact Us

    Have questions? Get in touch with Humphrey Lloyd at 07702810555 for more information. You can also reach us via WhatsApp or give us a call—email is not the best way to contact us since we’re often out in the field.

  • Learn tunes from Foinn Seisiun

    I often find that fiddle players looking for tunes to learn turn to the Foinn Seisiun recordings. These are really useful resources for finding recordings of well know Irish session tunes.

    But for a fiddle player starting out with playing in sessions, they may also have their limitations, which I’ll discuss below. I hope that my tutorials listed at the bottom of the page will help.

    Foinn Seisiún (pronounced ‘fween sesh-oon’) means ‘Session Tunes’ in Irish. The recordings and accompanying books) were made by Comhaltas, a group central to the preservation and promotion of Irish traditional music.

    There are three books and recordings in the series. The first was released in 2001. Then Foinn Seisiun 2 followed in 2003 and finally Foinn Seisiún 3 in 2007.

    Foinn Seisiun

    A great learning resource…

    The tunes on the Foinn Seisiun recordings are played by good musicians, at a nice even tempo. The playing on these recordings is deliberately at a ‘moderate tempo’ according to Comhaltas. (Some would say, ‘moderate to slow’!). So if you are already good at learning tunes by ear, you can probably work out the melody.

    These recordings are especially good for getting familiar with some of the most commonly played sessions tunes. Listening to the Foinn Seisiun recordings will help your ear get used the sound of different types of tune, and get the melodies in your head. This will help when you come to learn the tune by ear. As Comhaltas say about the series, they were ‘created in order to give players of Irish Traditional Music a good grounding in standard session sets.’

    The choice of tunes for the Foinn Seisiun recordings and books deliberately centres on common tunes. While there is no such thing as a ‘standard’ set of tunes in any one Irish session, certainly you won’t go far wrong with the tunes suggested on the Foinn Seisiun recordings.

    As Comhaltas say, ‘Though we’d never claim that this list of tunes and sets is authoritative, learning these will be enough for you to sit in on many sessions around the world.’

    …with some drawbacks

    However, the recordings have their drawbacks. They are a little ‘fuzzy’ — this is a recording of a session after all! There is a certain amount of background noise, and the instruments are not clearly balanced. So you maybe not be able to catch all the notes clearly. And since there are a mix of many instruments playing, that can make it harder too.

    In addition, listening to the tunes on the Foinn Seisiun recordings is unlikely to help you with with specific features of your instrument. For example, with Irish ornamentation or phrasing or bowing patterns on the fiddle.

    So, I have started to list below some of the tunes on the Foinn Seisiun recordings that I have made tutorials for. In some cases these are full length video tutorials on tunes, breaking down each phrase. In others, it is a solo fiddle playthrough of a tune, where you will be able to hear more of the features of that tune for fiddle players.

    Foinn Seisiun 1

    From Foinn Seisiún 1 I have made tutorials on the following tunes:

    My Darling Asleep

    Britches Full of Stitches

    Out on the Ocean

    Jim Ward’s jig

    The Banshee

    Foinn Seisiun 2

    Garrett Barry’s jig

    The Hunter’s House

  • What is a fiddle?

    On a site called Learn to Play the Fiddle, the question ‘What is a fiddle?’ may seem a little odd! But it is important to know something about the history of the fiddle, how it is different from a violin, and how it ended up with such an important role in Irish music.

    Fiddle vs Violin

    The first thing to say, is that, today, the fiddle and the violin are exactly the same instrument. (Though, see below for a little more history of the two.) Two different words for the same physical thing. The violin or fiddle is a (normally) four stringed instrument played with a bow, or sometimes plucked.

    My fiddle or violin

    What is different about the fiddle and the violin, are the styles in which they are normally played.

    When people use the word violin they are normally referring to playing classical music. But when people talk about playing the fiddle, they might mean playing traditional or folk music. That could be in the Irish, Scottish, English, old time, bluegrass, Cape Breton, Scandinavian or other styles.

    These traditions of music are distinct from each other. But they also have shared ancestries, and even shared tunes, although often played in slightly different ways.

    But fundamentally, if we are talking about the instrument itself, the fiddle and the violin are the same thing.

    History of the fiddle

    Since they are the same instrument, the history of the modern day fiddle is shared with that of the violin.

    But stringed instruments have existed for thousands of years, and the modern violin as we know it today has its roots in those ancient stringed instruments. Bowed stringed date back at least as far as the 9th Century.

    The earliest example of a medieval bow in Europe, and therefore the earliest evidence of bowed instruments, was excavated in Dublin. It is dated to the 11th Century. A twelfth-century carving of a bowed six string lyre has been found in Co. Kerry. And references to the ‘fiddle’ have been found in accounts from the 7th century.

    By 1674 an account mentions ‘in every field a fiddle, and the lasses footing it til they were all of a foam’. (See Fintan Valelly, The Companion to Irish Traditional Music).

    The violin in its moden sense, however, begins to take shape in the 16th Century in Italy. We could date the birth of the modern violin to the publication of the Académie musicale, in 1556, by Philibert Jambe de Fer, which gives a description of the violin family much as a modern violin is today.

    The modern violin was probably introduced into Ireland by Scottish and English settlers. But its playing in Ireland was undoubtedly influenced by those earlier fiddles, as well as the Irish harp, bagpipes and vocal music traditions.

    A traditional style

    The style of playing fiddle in the traditional way differ depending on the country, region and tradition. But some commonalities remain.

    The fiddle style of, say, bluegrass, old time, cajun playing are noticeably different from those of say, Sweden, or Ireland, or Shetland.

    However, we can see some similarities. The fiddle was predominantly played for dancing in most cultures. So the tunes and the manner of playing are often distinctly rhythmic.

    Likewise, since the tunes were almost always passed from player to player (oral transmission) the tunes themselves often have clear structures. Short repeated parts are common, and the tunes themselves are also often short, and repeated two or more times.

    While the tunes are often simple, they are made more varied with the use of fingered ornamentation, or ornamenation with the bow, chords or drones, improvisation and variation. These things are to be found in many fiddle traditions.

    In Ireland, the fiddle playing style is slightly different in different regions — such as the Sliabh Luachra or Donegal fiddle traditions — and obviously between different fiddle players.

    But ornamentation such as rolls and cuts are commonplace, as is an emphasis on ‘lilt’ – a combination of rhythmic bowing and slightly swung phrasing, with slurs often used into or across the beat.

    Links

    History of the Irish Fiddle

    A short history of Old Time Fiddling

    Online fiddle lessons

    Irish Fiddle Courses

    Irish fiddle Ornamentation

  • FREE Irish fiddle lessons

    In my short Irish fiddle course, you will find FREE Irish fiddle lessons, covering a range of Irish fiddle tunes, techniques and playing advice.

    I hope you will enjoy the lessons in this course, and that they will help you take your fiddle further.

    Irish fiddle resources

    Free Irish fiddle Lessons online

    In the first lessons in my Free Irish Fiddle Course, we will learn a couple of the different types of tunes that are common in the Irish tradition.

    • Lesson 1 — We will start by learning a fairly simple polka — The Britches Full of Stitches. The melody for this tune is quite straightforward (as many polkas are), so this lesson is suitable for novice fiddlers, though you will need to have some very basic technique already. (For this course, I am assuming you can play basic notes with your left hand, and can hold and use the bow). We will learn the tune by ear, slowly, phrase by phrase.

    If you are an intermediate player (or more advanced!) you will still find tips and ideas for ornamentation and chords in this lesson, though you may want to skip ahead if you can learn the tune quickly.

    • Lesson 2 — We will then move on to learning a popular Irish jig — Out on the Ocean. This is a well known session tune and a great tune to know. This lesson will also introduce you to jig rhythm. Again, we will learn the tune slowly by ear.
    • Lesson 3 — This lesson is for more intermediate or advanced players, to introduce them to some ideas about practicing ‘tricky’ passages, some string crossing technique and some left hand technique. If that is you, please go ahead and enjoy learning The Clare Shout; or you can come back to this lesson as you progress.

    We then move on to look at some ornamentation in Lessons 4-6.

    • Lesson 4 — First we will learn to play a Cut — the foundational ornament in Irish fiddle playing in my opinion, and always the first ornament I teach. I’ll show you the proper way to play this important ornament, and then show you how and where you can use it in the jig Out on the Ocean that we learned earlier.
    • Lesson 5 — Having learned to cut, we will look at 2 different ways of learning to play rolls (properly, ‘long rolls’) — the ornament every fiddler gets excited about! I’ll show you how I teach people to play rolls, so that you can get a really authentic sound.
    • Lesson 6 — We will then look at how and where you can play these rolls in a new tune, Paddy Fahey’s #4, which we will also learn as we go.

    In the next section of the course, I will introduce you to two more types of tunes: reels and slides. These lessons will go a little quicker than the first tune tutorials, assuming that you can pick up tunes a little more easily, but I will still play the tune through slowly with a close up of the fingerboard, and you can pause and rewind until you get the tune. Once you have the tune, or if you already know the tunes, these lessons are intended as ‘playalongs’ so that you can practice along with me.

    • In Lesson 7 we will learn a reel — The Banshee, a fun tune to play, often played at speed!
    • In Lesson 8 we will learn Dinny Delaney’s slide.

    Finally, I have some tips for practicing ornamentation (and indeed much else) — using a method I employ myself every day!

    • Lesson 9 — I will show you my top tip for practicing ornamentation whilst keeping good rhythm and pulse.

    I really hope you enjoy the free Irish fiddle lessons in this course. If you find the lessons valuable, please do let me know. You can head over to learntoplaythefiddle.co.uk for lots more advice, and to sign up for my Complete Irish Fiddle Course as soon as it is available.


  • Irish Fiddle Tuning

    One of the things I occasionally get asked by those interested in playing Irish fiddle, is: ‘What is the normal Irish fiddle tuning?’.

    I think this can sometimes cause some confusion. Perhaps because people aren’t always sure about the difference between a fiddle and a violin. (Spoiler – there is no difference between a violin and a fiddle!). So, the simplest answer is: Irish fiddle tuning is normally the same as for a violin tuned to standard classical tuning.

    So, for playing Irish fiddle the strings are tuned to the notes G, D, A and E, from lowest pitched string to highest. The interval between the strings is a perfect 5th.

    The G string is the lowest note on a standard tuned fiddle. It is tuned to the G below middle C (or G3) and its frequency is 196hz. The D is middle D (or D4) and its frequency is 293.7Hz. The A string is middle A, or A4, and is tuned to a frequency of 440hz. The E string (E5) is the highest pitched string. It is tuned to 659.3hz.

    There are some exceptions, which I’ll discuss in more detail below. But first let us look at the tuning we would normally use for Irish fiddle playing.

    Standard Irish fiddle tuning

    In general, then, when you are starting out playing Irish fiddle, tuning the strings to G, D, A, and E is the normal practice. That is, from lowest pitch string to highest pitch string as shown in the image below – G being the lowest pitch string, and E the highest.

    This means that the strings are tuned at intervals of a fifth (5th) apart. This allows the fiddle player to play a continuous scale without changing position, and without using fourth fingers for melody notes. (Compared to classical violin playing, in Irish fiddle playing, fourth fingers are used more rarely for melody notes. They are used routinely for ornamentation like rolls, cuts, casadhs, however).

    So each string is tuned in turn to the following notes (also given as frequencies in Hz as is common on many tuners and tuning apps). Again, this is from lowest pitch string to highest pitch string.

    The G string is tuned to G3 (or 196 Hz)

    the D string is tuned to D4 (or 293.7 Hz)

    The A string is tuned to A4 (or 440Hz)

    Finally the E string is tuned to E5 (or 659.3 Hz)

    Irish fiddle tuning is normally GDAE

    Tuning the fiddle for Irish music

    Before you start playing, it is very important to tune the fiddle accurately. You can do this by tuning to another instrument, listening to make sure you are in tune. Or you can use a tuner or a tuning app.

    Now that you know the correct pitch for each string (as above), you can tune your fiddle to the correct tuning for Irish fiddle music.

    If you watch an experienced fiddle player you may see that they don’t tune all of the strings to another instrument (like an accordian, which should be in tune!) or tuner. Rather, it is common for an experienced fiddle player to tune just the A string (or sometimes the D string). Then, once the A (or D) is in tune, each of the other strings is tuned from the A (or D) string by listening to the interval.

    Sometimes the fiddler will play the two strings together as a chord to listen to check that the tuning is correct.

    When you are just starting out playing Irish fiddle, tuning in this way (just using your ears to judge the intervals) may not be easy, as the intervals will not be so familiar. In which case a tuner or a tuning app is a good idea to make sure that the strings are in tune.

    Cross tuning and other tunings

    Of course, the strings do not have to be tuned to these notes. In other traditions of fiddle playing other tunings are often used. In American Old Time and Bluegrass fiddle music, for example.

    Bluegrass and Old Time fiddle have some things in common with Irish music. But many of the techniques — and tunings — are also quite different from those used to play Irish fiddle. Tuning the strings to other intervals is commonplace in Old Time and Bluegrass fiddle playing, for example.

    The most common alternative tunings, sometimes called ‘cross tuning’, are AEAE and ADAE (again from low string to high string). But others are also possible.

    Cajun tuning is another alternative tuning. In Cajun tuning all of the strings are tuned down one tone, to F, C, D, G. This is generally done to get a slighted blue-sier sound.

    Tuning down

    The cross tuning of Old Time and Bluegrass fiddle is rare in Irish fiddle playing. But something more like Cajun tuning is a little more common alternative in Irish fiddle playing. This keeps the intervals set at a 5th apart, but gives a slightly different sound.

    Some Irish fiddlers tune all of the strings down (or more rarely, up) one or more semi-tones. This is most often done in order to play together with uilleann pipers who are playing a ‘flat set’. A flat set is one where the drones and chanter are tuned to B or even Bb (B flat).

    To do this, all of the strings are tuned down the same amount. For example, to play with a set of B pipes, the strings on the fiddle would be tuned down 3 semitones. This means the strings would be E, B, F# and C# respectively.

    You can hear this effect on Mick O’Brien and Caoimhín Ó Raghallaigh’s albums (although here Caoimhín is not playing an Irish fiddle, but his own unique instrument, a Hardanger D’amore).

    Sometime fiddlers tune down the strings just to find a mellower tone which can come from looser strings. You can hear Nathan Gourley and Laura Federson playing traditional Irish fiddle, tuning down the strings, on some of the tracks on their albums. Aidan Connolly, a fine Irish fiddle player, often tunes his strings lower. You can hear this on many of the tunes recorded for his albums Be Off and The Portland Bow.

    Very very low Irish Fiddle Tuning!

    I have always enjoyed playing Irish fiddle with lower tunings in the manner discussed above. I’ve even taken it a stage further by using Octave strings on an old fiddle to play Irish fiddle — tuning the strings to a full octave lower than standard tuning!

    You can hear this in the video below. I am playing a wonderful reel The Morning Thrush by the great piper James Ennis, father of Seamus Ennis.

    You can find more of my videos on Irish fiddle playing on Youtube page. And do also look at my Irish fiddle courses, for lots of free online fiddle lessons on Irish fiddle.

  • Learning to play the fiddle without sheet music

    Can you learn the fiddle without reading music? Absolutely! You can certainly play the fiddle without being able to read sheet music. In fact, I’d go further and say it’s best if you don’t learn to play the fiddle by reading sheet music! I’ll explain why.

    Learning from sheet music v learning by ear

    Fiddle players have learned ‘by ear’ rather than from sheet music for hundreds of years. Fiddle music is part of an ‘oral tradition’, meaning that the music passes from one player to the next by playing and listening.

    Until quite recently, many tunes would never have been written down. Instead, players would learn how to play tunes from each other, with tunes and techniques passing from one generation to the next.

    The great Paddy Fahey, played without reading music, and never wrote down any of his wonderful compositions
    The great Paddy Fahey, Irish fiddle player, never wrote down any of his wonderful compositions

    So you certainly don’t need to be able to read music to learn to play the fiddle. In fact, there are advantages to learning tunes ‘by ear’.

    The most important reason, is that much of the spirit of the tune, can never be written down. The phrasing, the ornamentation, the subtleties of rhythm – you have to learn these by listening.

    But also, tunes learned by ear stick much better in the memory. Tunes learned from sheet music are much harder to remember.

    Learning tunes by ear

    So, how do you learn tunes by ear? The first step is to listen to a tune until you know it really well. Until you can sing, or hum, or whistle the tune all the way through without hesitating.

    Then break the tune down into chunks. If you are listening to a recording, play a short section – may just a second or two – then hit pause. Keep those notes in your head and see if you can work them out on the fiddle. You may have to try several times to find the right notes. Keep working your way through the tune like that.

    If you are learning from another player, ask them to play each bar or measure for your slowly so you can work it out piece by piece. If you already play the fiddle a little bit, but mostly play from sheet music, give one of my step-by-step tune tutorials a go. See if you can follow along!

    If you haven’t learned tunes by ear before, it may feel difficult at first. But it gets easier and faster the more that you do it. Once you have had some practice, you’ll pick up new tunes incredibly quickly!

    Have a go at learning a fiddle tune without the sheet music

  • Learning to play traditional Irish music on the fiddle

    If you are just starting out learning how to play Irish fiddle music, you may find that you are struggling to get your fiddle playing to sound authetically Irish. Or you can’t seem to replicate the sound of the fiddlers that you like listening to. So how can you achieve that authetic traditional Irish sound in your fiddle playing?

    Fiddle player for hire

    Well, partly the answer is lots of good old fashioned practice. But there are also some ways to make your playing sound like proper Irish fiddle music. Below is my advice if you are wondering how to play real Irish fiddle.

    Listen to good Irish fiddle players

    There really is no substitute for listening. Find recordings of the great fiddlers past and present, and listen to them carefully. Sometimes you just want to let the music wash over you and enjoy it. But I also talk to my students about ‘active listening’, by which I mean: really pay attention to what the fiddler is doing!

    Once you are familiar with the tune listen for the details. Can you identify any ornaments that are being used? Are there any chords or drones (more than one note being played at the same time). Can you hear any variations that they might be using, changing the melody subtly as they go along? Are there any subtle changes to the rhythm or the ‘swing’ or ‘lilt’ of the tune.

    Even better than recordings, go seek out concerts with proper fiddle players, and pay attention to what they are doing. Or find a really good quality Irish pub session. Listen carefully to see if you can work out what makes their playing special.

    Throw the sheet music away!

    Well, maybe not throw it away… but don’t rely on it. Learn how to learn tunes ‘by ear.’ Because most of what make Irish music sound so alive isn’t (or can’t be!) written on the sheet music.

    The lilt and phrasing of a tune, the variations and many of the ornamentations are not written into most sheet music notation of the tunes. So you can learn the melody from the sheet music. But only once you can play the tune with all the things that aren’t written down will it sound like the real thing.

    If you are new to learning tunes by ear, try my beginnners lesson video, in which I take you through a tune slowly, phrase by phrase and see if you can follow along.

    There’s another good reason not to rely on sheet music. In my experience, a tune learned from ‘the dots’ on the page doesn’t stick in the memory as well as one learned by ear. The tunes that you remember best will always be the ones you learn by ear.

    Rhythm is fundamental to playing Irish fiddle music

    Playing Irish fiddle for a ceilidh
    Playing Irish fiddle for a ceilidh

    The roots of Irish fiddle music are in dancing. Reels, jigs, hornpipes, polkas are tunes played for specific kinds of dancing. And dancers care above all about the rhythm of the music – it needs to keep perfect time. It’s the same reason that Irish music makes us tap our feet!

    So if you are going to play traditional Irish fiddle music, you must be able to play accurately in time. Thankfully this is something that anyone can learn to do. Head over to my page on playing with rhythm to find out all my advice on keeping good time.

    How to play Irish fiddle ornamentation

    If you want to learn how to play Irish fiddle music that sounds like the real thing, then you will need to learn about fiddle ornamentation. The word ‘ornamentation’ may make it sound like it’s an optional extra. But I think of Irish music as being made up of three parts: melody, rhythm and ornamentation. In equal parts. Take any one of those three elements away and the music just isn’t the same.

    You can certainly try and learn ornamentation by listening to other players, but some of the techniques can be hard to learn on your own. Much better to find someone who can teach the proper technique to each of the ornaments.

    By my reckoning there are more than 10 different Irish fiddle ornaments (cuts, long rolls, slides, crans, joint short rolls, casadhs, bowed triplets etc) and that’s even before you get into chords, drones, variations, improvisations and other elements beyond the basic melody.

    If you would like to learn more about these ornaments, take a look at some of my videos on ornamentation.

    Practice your bowing

    Most people who learn how to play Irish fiddle music with me start out thinking the difficult bit will be the left hand. That’s the one that puts the fingers down to play the notes. After all, Irish fiddle music is often fast! Or they assume that playing in tune will be the hard bit. Especially if they are coming from another instrument with frets (like a guitar or banjo)

    But actually, most people can learn to put the fingers down in the right place fairly quickly. The bit that is a lifetime’s study is the right arm – the bowing. So pay attention to your bowing, especially when you are starting out. Do lots of simple bowing exercises and build solid techique in your bowing. It will repay you with a nicer tone, better rhythm, and a more relaxed style of playing as you progress.

    Learn from a good teacher

    By far the best thing that you can do to improve your Irish fiddle playing, is to learn from a good teacher. You should find someone who is a technically accomplished player of Irish traditional music. But also a passionate and knowledgeable teacher.

    And while there are certainly some classical violin teachers who also understand Irish fiddle music, there are also many who think that if you can play violin you can play fiddle, which just isn’t true! So find someone who really understands the music, its techniques, it history, and its differing styles.

    Get good practice habits

    If you want to improve you have to practise – there is no way around it. But making the best use of your practice time is really important. I make a distinction between ‘playing’ and ‘practising’. Find out more about my practice tips here.

  • Learning by ear, and learning to read music

    Learning to play the fiddle by ear and from sheet music
    You don’t need to be able to read music to learn the fiddle!

    Learning to read music can seem complicated. Especially if you have never learned a musical instrument before. But you absolutely don’t need to be able to read music to begin learning to play the fiddle! You can learn to play the fiddle ‘by ear’. Traditional music has always been taught and learned ‘by ear’. Tunes are passed on from one player to another, and down through generations. And it is easier than you might think to learn to play the fiddle by ear.

    Playing music, and learning tunes, ‘by ear’ means just from listening to someone else play them. It is just as much of a skill as being able to read music. And for a fiddler playing traditional music, it is a really useful ability.

    Having said that, many people who are learning the fiddle do want to learn to read music. And it is a very useful thing to be able to do. It can also help with other aspects of learning an instrument. It will also help if you want to learn other instruments in the future.

    Teaching fiddle students to learn by ear

    In my teaching, I am happy to teach people by ear, or from music. In fact, I almost always do both, since I think both skills are important. But if reading music seems intimidating at first you definitely don’t need to do so to enjoy learning to play the fiddle! I teach my students new tunes, by breaking them down in to short phrases, so that they can learn each short phrase separately. Then we join them together until they have learned the whole tune. Most of my students are amazed at how quickly they learn to play tunes ‘by ear’.

    I then use their online workspace (see an example here), to share a recording of the tune at an appropriate speed so that they can play along.

    Free fiddle video lesson

    If you would like to have a go at learning a fiddle tune by ear, you can follow one of my free irish fiddle lesson videos, where I take you through a tune phrase by phrase, so that you can learn the tune slowly. If you can play basic notes on the fiddle, but have never tried to learn a fiddle tune by ear, then try this free irish fiddle lesson for beginners. I’ll take you very slowly through a lovely well-known Irish jig called Out on the Ocean, so that you can learn the tune! If you find the lesson useful, be sure to subscribe to my Youtube channel as I’ll be putting out more free Irish fiddle lesson videos soon.

  • Fiddle…or violin?

    What is the difference between a fiddle and a violin?

    What is the difference between a fiddle and a violin?

    People often find this confusing – so, what is the difference?

    The short answer is, there isn’t really any difference. At least, not if we are talking about the musical instrument itself. A fiddle is just another name for a violin.

    When people use the word violin they are commonly referring to playing classical music. But when people talk about playing the fiddle, they normally mean playing traditional or folk music. That could be in the Irish, Scottish, English, old time, bluegrass, Cape Breton, Scandinavian or other styles. These traditions of music are distinct from each other, and an experienced fiddle player can immediately tell the difference between the styles of playing. But they also have shared ancestries, and even shared tunes, although often played in slightly different ways.

    Different fiddle playing styles

    Because of the shared ancestry and the sharing of tunes, these styles of traditional fiddle playing also have features in common. They are strongly associated with playing for dancing, for example. For that reason the tunes, and the style of playing, have a pronounced rhythm and beat. Mastering the subtleties of the different rhythms used in traditional fiddle tunes – jigs, reels, slipjigs, polkas, slides, strathspeys, hornpipes, marches, highlands, and others – is a fundamental part of learning to play the fiddle.

    Fiddle playing in traditional music is also often characterised by the use of ‘ornaments’. This is especially the case in the Irish, Scottish and Scandinavian styles. These are extra notes or flourishes that are added to the main tune. They are critical to getting a tune to sound so distinctively ‘Irish’ or ‘Scottish’.

    The violin and the fiddle are the same instrument, the basics of learning to play are the same. Holding the instrument, creating a nice tone, playing in tune, and bowing techniques – these are important whether you want to play classical violin or traditional fiddle tunes. But if you want to learn to play the fiddle in a traditional style, you will need to learn some other techniques too. The techniques that are central to those musical traditions.

    So, there isn’t really a difference between a fiddle and violin. But there can be a big difference between playing the fiddle and playing the violin.


    Fiddlers, want to take your fiddle playing to the next level?
  • Tips for the beginner fiddler

    If you are a beginner fiddle player just working out how to play the fiddle, it can seem difficult to know how to begin. So below are my top 3 tips for a beginner irish fiddle player.

    If you are just starting out, and looking help on how to play the fiddle, including how to hold the fiddle correctly, and how to hold the bow, take a look at my page How to Play the Fiddle (part 1).


    Get my my top tips for fiddlers

    3 tips for a complete beginner fiddle player

    Beginner fiddlers are often told the fiddle is a difficult instrument to learn. Many people who would like to learn how to play the fiddle worry that the first stages will be especially difficult. They think that it will take a long time for them to be able to play in a way that sounds pleasing – and even longer to be able to play fiddle tunes!

    But this isn’t true!

    With the right approach, even total beginners to playing the fiddle can make a nice sound, and be playing simple tunes after a handful of lessons. But there are some tips that will really help you to make progress at the beginning.

    Tip 1 – Focus on bowing

    When it comes to playing the fiddle, your right hand, your bowing hand is as important than your left. Maybe even more important!

    Beginner fiddle tip: Concentrate on your bowing technique

    Most people starting out think that the left hand, that holds the fingers down and makes the different notes, is what is going to be difficult in learning to play the violin or fiddle. But it is the bowing hand that is responsible for a good tone and also for so much of the rhythm that is involved in playing.

    So just as much of your practice should concentrate on your bowing technique as playing different notes with your left hand.

    A good teacher will show you how to hold you bow properly, ways to improve your tone with your bowing, and different bowing exercises to improve your bowing technique.

    Tip 2 – For a beginner on the fiddle, the basics matter!

    If you get some of the basics right – how to hold the fiddle, how to use the bow, playing in time – right from the start, your playing will improve so much more quickly. Beginners sometimes rush ahead, but form bad habits that will make it more difficult to continue improving as they’d like.

    In addition, if you get the basics for how to play fiddle right

    Again, a good teacher will make sure you have good technique from the start.


    Fiddlers, want to take your fiddle playing to the next level?

    Tip 3 – Find what you want to play on the fiddle!

    Working towards playing in the style that you would like to play is really good motivation. Talk to your teacher about what sort of music you would eventually like to play, and they should be able to find simpler versions of the same style, or at least music that will let you work towards your goal.

    I find it is really important for beginner fiddle players to feel like they are headed in the right direction.

    Get out to some sessions, listen to the music, decide what you want to learn. If you are a beginner fiddle player, there is no substitute for listening to other fiddlers.

    BONUS TIP: Once you’ve worked out what you want to learn, head over to my free fiddle lesson videos – I’ll be adding more over the coming months. I can help set you on the right path! I’ve even got a whole FREE online fiddle course where you lots more tips including advice for beginner fiddle players.